This film is a masterpiece with uppercase letters. This really is demolishing a franchise to build it again from scratch. After hearing "The Dark Knight" because we have no doubt: what was foreshadowed in "Batman Begins" has been consolidated into this one, and there is nothing left of the universe Burton of the first two deliveries of the previous bunch of tapes devoted to the man bat (mercifully, we will do as if the other two had never come to exist). Here the universe has already disappeared twisted, circus extreme, with the creator of "Edward Scissorhands" took his approach to the character of Bob Kane. No, the Nolan brothers, with the complicity of David S. Goyer, arrumbado have any drift fantastic: welcome to a Batman who, more than ever, showing his status as measured and studied creation of imposture. And his enemies could not be less.The result? An almost operatic tragedy, which is cooked over a low heat and just sublimate the hero in the final stretch. Gentlemen, Christopher Nolan once again returns to graze perfection. If you do not get at all, perhaps because the film is less than from light to dark, but that route is too slow at some point, as if the significance of what they want to tell hinder the pace. But it is not a serious problem, nor is that Nolan, as happened in the first installment, it appears clear the action scenes with reluctance, as a canon that inevitably has to pay for their feature film is commercial (one is convinced that this man would be able to make a delivery of Batman in which his characters just do something else to talk and reflect, as some of the most rompedoras proposals we have seen in comics); no, because this film treasures the moments large enough to be marked to fire in the retina.
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